Zhang Jiahao

Zhang Jiahao was born in 1994 in Anshun, Guizhou. He received his bachelor's degree from Jingdezhen Ceramic University in 2020 and his master's degree from the Lu Xun Academy of Fine Arts in 2023, studying under Professor Li Xiangqun with a focus on Chinese sculpture research. His work centers on historical stone sculpture fragments and contemporary ceramic language, reshaping and reconstructing through materials such as ceramics and metal — preserving the marks of time while endowing incomplete traditional forms with new bodies, narratives, and spiritual meaning. His works have been selected for exhibitions including "A Century of Dreams — Portrait Works of Chinese Cultural Figures," "Collecting Fine Craftsmanship — Annual Recommended Collection Exhibition of Chinese Arts and Crafts," and the "China Ceramic Art Design Competition."
Creative Philosophy
Giving traditional sculpture new life between history and the contemporary.
The creative inspiration stems from imagining the "complete form" of historically surviving sculptures. Over the long course of history, many sculptures have survived only in fragmentary states due to natural weathering, war, displacement, and human damage. Without written or visual records, it is difficult to accurately reconstruct their original appearance — yet the remaining partial forms leave vast imaginative space for contemporary viewers.
In Zhang Jiahao's view, incompleteness does not signify the end of a work's life, but rather the beginning of another life and narrative. Using surviving stone sculpture fragments as his creative foundation, he recombines stone and ceramic materials, employing a material language that is both ancient and young to restore the historical treasures he imagines.
This "restoration" is not an archaeological reconstruction, but a re-creation built upon personal feeling, historical imagination, and contemporary aesthetics. He does not attempt to conceal the wounds left by time's erosion on the stone sculptures, but instead preserves their ambiguity, damage, and uncertainty — and through new bodies, gestures, and symbolic structures, allows the incomplete forms to regain spiritual power.
His works establish connections between the ancient and the contemporary, the incomplete and the whole, the real and the imagined. The collision between different materials not only presents the layers of time, but also allows traditional sculptural forms to find new life within a contemporary context.
Representative Works

Elephant Incense Burner
2026 · Stoneware & Porcelain · H 19 cm
A wood-fired ceramic elephant with uplifted trunk, bearing fire marks and ash — rustic and innocent, a serene incense burner.

Long-Haired Dog Sculpture
2026 · Stoneware & Porcelain · H 8 cm
A wood-fired beast head holding a round tray aloft, with yin-yang fire marks — ancient and dignified, a serene incense holder and candle stand.

Terrier Dog Sculpture
2026 · Stoneware & Porcelain · H 10.5 cm
A wood-fired white stoneware small elephant, with fire marks and fallen ash — mottled and rustic, a serene incense holder.
Exhibition History
"Liang Shuming" Exhibition
A Century of Dreams — Portrait Works of Chinese Cultural Figures
"My Tiger" Exhibition
Collecting Fine Craftsmanship — Annual Recommended Collection Exhibition of Chinese Arts and Crafts
"New Youth" Exhibition
The 5th CHINA Ceramic Art Design Competition
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