Weekly Elegance Collection

ARTIST PROFILE

Sun Yizhou

Sun Yizhou
Sun Yizhou, born in Huilai County, Guangdong Province in 1989, earned his bachelor's degree from Jingdezhen Ceramic Institute and his master's degree from Guangzhou Academy of Fine Arts under the mentorship of Professor Wei Hua. In July 2015, he was invited to participate in the International Ceramic Workshop in South Korea. His works have been selected for numerous national and provincial exhibitions and are in the permanent collections of institutions such as the Henan Museum and the Shiwan Ceramics Museum. He currently holds a teaching position at Guangzhou Academy of Fine Arts.

Creative Philosophy

Preserving the warmth, traces, and contemporary aesthetics of clay through earth, fire, and time.

I have always believed that ceramic art is not merely shaping clay into vessels, but engaging in an ongoing dialogue with materials, time, fire, and one's own inner state. The birth of each piece is never the result of simple repetition, but a slow unfolding born of craftsmanship, intuition, and serendipitous change. For this reason, I choose to preserve the natural marks left in the clay during the creative process, allowing each piece to carry authentic warmth and an unmistakable individuality.

In my work, I deeply value slowness. Rather than pursuing speed and rigid uniformity, I focus on the subtle shifts that emerge throughout the making process. Whether throwing on the wheel, hand-sculpting, coiling, or firing glazes, every single step imprints a trace of that specific moment. These marks may render a piece imperfect, yet they imbue it with vitality and bring it closer to the true essence of handmade ceramics.

I hope my works are not only meant to be observed, but also used and felt. A vessel is more than just a container; it holds the rhythm of daily life, moments of quiet contemplation, and the intimate relationship between people and space. When people engage with my creations, I hope they experience the grounding closeness of clay, the tactile warmth of human hands, and the understated beauty often overlooked in everyday living.

To me, tradition is not a constraint, but a foundation; and modernity is not a rejection of heritage, but a new mode of expression. I draw strength and guidance from traditional ceramic techniques, while reinterpreting and expressing them through an aesthetic attuned to contemporary life. In doing so, the work preserves the timeless spirit of ceramic craft while resonating with modern sensibilities.

Thus, my practice has always centered around a single vision: responding to materials through handcraft, connecting with life through the language of objects, and creating warm, distinct, and contemporary ceramic works through simplicity, authenticity, and continual exploration.

Selected Works

Tubular Order

Tubular Order

2023 · Ceramic, Porcelain · Height 55 cm

Blue tubular ceramic forms intertwine and intersect, creating an evolving visual rhythm balanced between order and chaos.

Celadon Teapot

Celadon Teapot

2021 · Ceramic, Porcelain · Height 13 cm

A green-glazed teapot, rustic and warm, radiating natural handcrafted character.

Fairness Pitcher

Fairness Pitcher

2022 · Ceramic, Porcelain · Height 8.5 cm

A black-glazed fairness pitcher with a clean, grounded silhouette and a natural spout, imbued with rustic handcrafted warmth.

Awards & Exhibitions

2021

Third Prize, "Shiwan Cup" National Youth Ceramic Art Competition

China Arts and Crafts Society

2019

Second Prize, "Xu Qinsong Art Award" National Finals

Xu Qinsong Art Foundation

2018

Asia Ceramic Exchange Exhibition
China Academy of Art / Seoul, South Korea


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